By Rabbi Yitzchok Fingerer
The Midrash relates that a king who was a contemporary of Moses heard reports of how the Hebrew leader had faced off with Pharaoh, had won the freedom of his entire people, had worked miracles, and had revealed a lofty legal code. The king was intrigued, and decided to utilize physiognomy (a system that enables one to decipher character traits from facial features) to ascertain whether Moses’ reputation was fact or lore.
The king sent artists to the Sinai Desert to paint Moses’ portrait. After the artists returned from their long journey with the portrait in hand, the experts in physiognomy went to work analyzing Moses’ character. Their results were shocking. According to their proficient analysis, the character in the portrait was a robber, a murderer, and a deceitful person.
The king was enraged. Obviously, he inferred, the artists had painted the face of some vagabond they had encountered rather than making the long journey into the desert to find the great Moses. The artists, however, swore that they had rendered Moses and nobody else; they suggested that the fault lay with the experts in physiognomy. The king finally decided that there was only one way to settle his quandary: He would personally travel to the Sinai Desert and meet Moses.
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