In my family, there are precious few “religious heirlooms”. In fact, other than this menorah, I can really only think of my Grandmother’s small, white, swan-shaped porcelain honey dishes used by my mother each Rosh Hashanah. This menorah is not much to look at. Although it is pure silver, it is small, a bit slanted to one side and it’s missing the shamesh. But to our family, it’s the most beautiful menorah ever.
My mother still remembers that cold winter day when my Grampa brought the menorah home. He was wearing his trademark silk and wool scarf which was easily one and a half times as long as he was tall. He entered the home, menorah in hand. No wrapping paper, no cushioning, heck, no bag. Just the menorah in his shivering hand. This menorah came with silver caps so that you could put the oil right into the cup, place the wick in the oil and thread it through the silver cap. However, by the time Grampa got home that windy evening, a few of the caps had blown away. And, so, the caps were never used. I’m not sure what happened to the shamesh but I wouldn’t be surprised if that blew away too!
Grampa Aaron was something special. He was about as close as I ever got to “the old country”. He had a heavy accent and his English was liberally spiced with Yiddish. He wore long underwear (longe gotkes) all year round including in the summer. He would cross major thoroughfares with absolute disregard for traffic signals and vehicular presence. Holding both arms straight out to his sides as a stop sign was sufficient. When frightened he would say “Oy, I almost became a hearts attack.” Grampa couldn’t understand why ice cream had pits (chocolate chips to me and you) and he, quite simply, did not hear too well. In the summer, Grampa Aaron would sit outside our bungalow in a brown chaise chair, taking in the country air and smiling. He quickly became popular with the colony kids who knew that a quick hello and a smile would yield chocolates, sucking candies and a few quarters for the pinball machine.
I’m not quite sure what it is about this menorah that makes it so special. Perhaps it’s because, like Grampa, though it may be small, old and a bit hunched to one side and though it may be missing a few pieces, beneath it all, it’s pure. And I guess it’s because this menorah is one of the few remaining links of my family’s Jewish past.